|
|
(1, 0) 1 |
The scene is a space, in which stands a throne, raised wpon a few steps. |
(1, 0) 2 |
If the pageant is played within doors, the stage may be draped with simple curtains. |
(1, 0) 3 |
There is an entrance on the left amd another on the right. |
(1, 0) 4 |
Where a drop-curtain is used, THE FATHER, THE MOTHER, THE MAIDEN, amd THE CHILD are on the stage when the curtain rises. |
(1, 0) 5 |
Where a drop-curtain is not used, they enter from the right. |
(1, 0) 6 |
Their dress shows them to be of the common people. |
|
(Child) Will it be long before she comes? |
|
|
|
(Mother) He may bring news of the great Queen. |
(1, 0) 63 |
Enter the MAN OF DOUBT. |
(1, 0) 64 |
He is very old and grey and gaunt, dressed in a dark garment. |
|
(Father) Sir, we greet you. |
|
|
|
(Mother) What sound is that? |
(1, 0) 89 |
A hymn of peace is heard on the left, swelling slowly. |
|
(Maiden) Voices, many joyful voices. |
|
|
|
(Maiden) A young man, weary and broken, dressed in a soldier's clothes. |
(1, 0) 129 |
Enter from the left a crowd of the PEOPLE singing their hymn of peace. |
(1, 0) 130 |
They gather together on either side of the throne, wiih their faces turned expectantly towards the entrance. |
(1, 0) 131 |
~ |
(1, 0) 132 |
Then enters the OUEEN OF PEACE. |
(1, 0) 133 |
She is dressed in white amd her face is calm amd kind and beautiful. |
(1, 0) 134 |
The YOUNG MAN leads her by the hand towards the throne. |
(1, 0) 135 |
He is dressed as a soldier, and his clothes are worn amd stained. |
(1, 0) 136 |
He carries a rifle slung across his shoulder. |
(1, 0) 137 |
Standing before the throne, the OUEEN waits a little till the singing ends. |
|
(Queen) I come again from exile. |
|
|
|
(Queen) I gladly take the throne. |
(1, 0) 161 |
The OUEEN seats herself on the throne. |
(1, 0) 162 |
The CROWD breaks into cheering. |
|
(Young Man) So, then—at last—my task is done! |
|
|
|
(Child) Please—will you let me kiss you? |
(1, 0) 177 |
(THE YOUNG MAN bends to kiss THE CHILD. |
(1, 0) 178 |
A murmur of sympathy runs through THE CROWD. |