| (0, 1) 17 | Turn that off please, Bethan. |
| (0, 1) 25 | ou. |
| (0, 1) 26 | Can you wave your arms please? |
| (0, 1) 27 | The light sensor is just above you. |
| (0, 1) 28 | Yes wave... |
| (0, 1) 29 | Keep waving. |
| (0, 1) 31 | Good. |
| (0, 1) 32 | There we are. |
| (0, 1) 33 | Thank you. |
| (0, 1) 34 | What's your name? |
| (0, 1) 38 | Fucksake. |
| (0, 1) 39 | Wave your arms. |
| (0, 1) 42 | Yes we know that. |
| (0, 1) 43 | Same as yesterday. |
| (0, 1) 44 | Wave. |
| (0, 1) 46 | WAVE. |
| (0, 1) 49 | Wave. |
| (0, 1) 52 | Wave |
| (0, 1) 55 | Wave. |
| (0, 1) 58 | WAIT. |
| (0, 1) 60 | WAIT... at the same time. |
| (0, 1) 61 | After three... one, two... |
| (0, 1) 63 | After three. |
| (0, 1) 64 | One, two, three! |
| (0, 1) 67 | No, you went on three, not after. |
| (0, 1) 68 | Again... |
| (0, 1) 69 | One, two, three, |
| (0, 1) 70 | NOW! |
| (0, 1) 73 | Don't ask. |
| (0, 1) 74 | Millions of license fee payers' money to create a brand new state of the art producing house and they put fucking light sensors in the studios and bloody vinyl on the recording floor. |
| (0, 1) 75 | It's a sore point! |
| (0, 1) 76 | Sometimes you pay more than peanuts and you still get fucking monkeys. |
| (0, 1) 77 | Could be worse though, the news department now has their live broadcast feed overlooking open plan unisex lavatories. |
| (0, 1) 78 | Very unfortunate incident recently had Lucy Owen still on mic whilst taking a shit as Babita Sharma read the news. |
| (0, 1) 79 | The aftermath of which was seen and heard by the nation as she conspicuously popped to the next cubicle for more toilet paper. |
| (0, 1) 80 | There we are, a bit of goss from the gloss for you. |
| (0, 1) 81 | Many more where they came from. |
| (0, 1) 82 | Anyway, moving on... |
| (0, 1) 83 | You can stop now Gwenith. |
| (0, 1) 86 | So quite simply, I will be running the session as normal and he, she or it that shows the most promise hereof will be offered a position, to start with immediate effect, next month, so you can be set up on the payroll scheme, which will be less than you imagine due to the ever rising license fee dodgers and the nature of the position. |
| (0, 1) 87 | I would ask the lucky selectee to run by the canteen before you leave today, though, and get me a cortado from our express service with a pistachio syrup shot please... it's not much to ask considering, and the least you can do. |
| (0, 1) 88 | If the others could just leave as quietly as possible and not use the facilities. |
| (0, 1) 89 | The head honcho is keen for you not to be seen but please do pop something in the donation box for this experience, that they are keen on. |
| (0, 1) 90 | Just so you know, I have fought tooth and nail for this unique interview process, and some doubted, doubted aloud in plain earshot. |
| (0, 1) 91 | A doubting Thomas... ess... |
| (0, 1) 92 | Thomestress! |
| (0, 1) 93 | Yes, one in particular, Jan Boules, but what does she know, she's local, moronic and exceedingly fat! |
| (0, 1) 94 | The lardy contents of which I believe is pressing against her tiny clit-sized pea brain and forcing her to squeeze out words that make no sense whatsoever and need discarding, like a crusty shit straight from a cat's anus. |
| (0, 1) 95 | The cat analogy is not actually important there but she does resemble one's anus. |
| (0, 1) 96 | So let's prove her chunky skull otherwise shall we and find the best man for the job? |
| (0, 1) 97 | Oh sorry, PC police, 'or woman'. |
| (0, 1) 98 | I know what you're thinking... but she is excessively fatter than that. |
| (0, 1) 100 | That doesn't even scratch the surface. |
| (0, 1) 102 | You are going to have to work harder today, the saying is true... |
| (0, 1) 103 | Thank you. |
| (0, 1) 104 | Now I say this to everyone working below me, I said it to Fabian , our previous assistant producer, and I'm saying to you, this job will send you mad but the question is, how far are you willing to go? |
| (0, 1) 105 | That should become your mantra and I will be looking for those prepared to go the extra mile. |
| (0, 1) 106 | You will be tested, and if you can't stand the heat get the fuck out of my kitchen because this is a harsh profession and I cook à la carte. |
| (0, 1) 107 | You'll see the menu works a treat and trust me, you'll thank me for it in the long run. |
| (0, 1) 108 | Now, I can safely say we didn't find anyone yesterday on our first day, yippee for you, but that does mean the pressure is on you guys today. |
| (0, 1) 109 | So, so, so... before we meet the artistes can I just let you know unfortunately we couldn't get who we wanted so just bear that in mind. |
| (0, 1) 112 | Now we do have a little time before we begin and I will always suggest arriving a little earlier to make yourself look presentable. |
| (0, 1) 113 | I can see some of you made the effort and some of you... |
| (0, 1) 114 | Well, let's go through. |
| (0, 1) 117 | If you haven't made the effort to cover up the truth before the interview, how can we trust you'll be as diligent after? |
| (0, 1) 120 | For fuck's sake! |
| (0, 1) 121 | Are you alright in there? |
| (0, 1) 122 | I don't want you marking those. |
| (0, 1) 126 | I don't speak Welsh. |
| (0, 1) 128 | And I'm fine with that. |
| (0, 1) 130 | Fine. |
| (0, 1) 131 | Well, can you just be careful. |
| (0, 1) 132 | Those are ergonomic, metal, leather and polished aluminium chairs with a rubberwood base. |
| (0, 1) 134 | They're from Indonesia. |
| (0, 1) 138 | Well they are a small people. |
| (0, 1) 139 | And I am sorry but I will need you to take off your shoes again. |
| (0, 1) 142 | Is that part of the condition? |
| (0, 1) 144 | Shoes. |
| (0, 1) 145 | Lovely, thank you. |
| (0, 1) 148 | Don't help her, they don't like it nowadays. |
| (0, 1) 149 | Best thing to do is just watch. |
| (0, 1) 150 | We are waiting for someone called Ivor Tittenson anyway so unless you have any questions, no? |
| (0, 1) 151 | Good. |
| (0, 1) 152 | Let's watch. |
| (0, 1) 156 | And socks today. |
| (0, 1) 158 | Honestly they love it. |
| (0, 1) 162 | How are you today Gwenith? |
| (0, 1) 168 | Oh well that's sweet. |
| (0, 1) 169 | I don't get pictures, Gwenith, because I chose a career instead. |
| (0, 1) 171 | I don't think so. |
| (0, 1) 174 | Not really. |
| (0, 1) 176 | They're lying. |
| (0, 1) 177 | Anyway, it must be terribly difficult in a chair but I guess now you know what it feels like to be in a pram, so you have a lot in common. |
| (0, 1) 178 | That's a plus. |
| (0, 1) 180 | Always turn a negative into a positive. |
| (0, 1) 182 | Now I pushed you quite hard yesterday, Gwenith, so I'll ease off a bit today. |
| (0, 1) 183 | Let's give Ivor a run-around today shall we? |
| (0, 1) 184 | He needs a push in the right direction and us girls have got to stick together. |
| (0, 1) 187 | Yes fine. |
| (0, 1) 189 | See, the thing is, she ticked a lot of boxes so it's best to keep her onside. |
| (0, 1) 190 | We needed a disabled Welsh-speaking black actor but you tell me where we're supposed to find them? |
| (0, 1) 191 | They're all in London. |
| (0, 1) 192 | And talking of ticking boxes, don't forget that you are competing with each other. |
| (0, 1) 193 | Say hello to the person on your right and left. |
| (0, 1) 194 | Do it now. |
| (0, 1) 195 | Get to know your competition because they are potentially your worst enemy. |
| (0, 1) 196 | They may have done more prep than you. |
| (0, 1) 197 | And prep is everything. |
| (0, 1) 198 | Ask the gays. |
| (0, 1) 199 | You will be the shit on my shoe but they're expensive shoes and one day you could be wearing them. |
| (0, 1) 200 | Fuck, I'm inspired! |
| (0, 2) 231 | Why are you late? |
| (0, 2) 233 | Why are you a little late? |
| (0, 2) 237 | I thought he was on holiday? |
| (0, 2) 239 | No, he definitely is. |
| (0, 2) 240 | Says in my calendar. |
| (0, 2) 243 | Yes. |
| (0, 2) 244 | It is. |
| (0, 2) 250 | Don't bring your gayness into it, Ivor. |
| (0, 2) 252 | I love the gays but I didn't expect my husband to be one. |
| (0, 2) 254 | Right. |
| (0, 2) 255 | Where's this accident then? |
| (0, 2) 257 | I think I get reports, I should let people know. |
| (0, 2) 264 | You're deviating. |
| (0, 2) 265 | Are you alright? |
| (0, 2) 266 | You seem flustered. |
| (0, 2) 276 | Ignore him. |
| (0, 2) 278 | He's being punished. |
| (0, 2) 279 | Previous assistant producer, long story. |
| (0, 2) 280 | You probably heard. |
| (0, 2) 281 | But why were you late? |
| (0, 2) 282 | You must have been late for a reason. |
| (0, 2) 283 | Is everything ok at home? |
| (0, 2) 285 | No |
| (0, 2) 288 | But thank you for noticing. |
| (0, 2) 289 | So all ok at home? |
| (0, 2) 301 | But why? |
| (0, 2) 302 | You've kept us waiting, so we at least deserve to know the truth. |
| (0, 2) 304 | /Do you want to go tune your big violin so it's ready? |
| (0, 2) 306 | It needs doing again. |
| (0, 2) 307 | I strummed it when you were throwing yourself at the trainees and the strings have gone slack. |
| (0, 2) 310 | I could see that. |
| (0, 2) 311 | I'm not sure how numb you are down there but that gentleman had his finger inside you so just be careful. |
| (0, 2) 312 | Easy target in a chair. |
| (0, 2) 313 | Don't be a drip, Gwenith. |
| (0, 2) 315 | Reverse. |
| (0, 2) 317 | Come to the window. |
| (0, 2) 318 | You're forgetting, I know you Ivor. |
| (0, 2) 319 | You're always early. |
| (0, 2) 320 | Same yesterday. |
| (0, 2) 321 | What's going on? |
| (0, 2) 322 | Few disagreements? |
| (0, 2) 323 | Things not working out? |
| (0, 2) 328 | Can't teach an old dog new tricks. |
| (0, 2) 329 | Sit down. |
| (0, 2) 330 | Slender tone? |
| (0, 2) 332 | Haven't had it long then? |
| (0, 2) 335 | Ok, let's crack on. |
| (0, 2) 336 | Sit down, Ivor. |
| (0, 2) 341 | Bear with. |
| (0, 2) 343 | So easy to wind up. |
| (0, 2) 355 | We got all the main scenes done yesterday, well-done me, so it's all the poems today and just the crowd fillers, background audio and soundscape, and maybe some pick-ups. |
| (0, 2) 357 | You two can help so stay in there. |
| (0, 2) 358 | Can we position ourselves around the central mic for the sounds of excited clams. |
| (0, 2) 363 | So I'm making an executive decision here with the soundscape, because unfortunately we're not going to have the writer, Gwilym, here today. |
| (0, 2) 364 | He decided after I called him last night it's best not to come in today because of his illness, but let's not mention it to the actors and bring a dampener on the whole thing. |
| (0, 2) 365 | We'll probably get a lot more done without him anyway, so... |
| (0, 2) 367 | I have no idea, but the flakiness was definitely becoming an issue for everyone involved. |
| (0, 2) 368 | He's obviously got something. |
| (0, 2) 369 | I mean it was everywhere. |
| (0, 2) 370 | Anyway, I said let's not dwell. |
| (0, 2) 371 | We can cover all things Gwil in the debrief. |
| (0, 2) 373 | So this is to accompany 'The Walrus and The Carpenter' poem Ivor did yesterday. |
| (0, 2) 376 | Well, we would love to hear, consider {to the interns}, then trash {back to Ivor} those ideas if we have time. |
| (0, 2) 378 | Always fool actors into thinking their ideas are valid, you don't want to lose them. |
| (0, 2) 380 | Are we all behind the marks? |
| (0, 2) 381 | Good. |
| (0, 2) 382 | The Oyster scene. |
| (0, 2) 383 | You have been lured out of the sea and promised a story by two friendly strangers: a large toothy seal who hangs out with a carpenter. |
| (0, 2) 384 | They will eventually eat you whole, in a seaman-like way. |
| (0, 2) 385 | You are excited, jolly and clammy. |
| (0, 2) 386 | We'll give you the light in a sec, bear with... |
| (0, 2) 388 | I'd like you to mark down the takes as we go. |
| (0, 2) 389 | In whatever style you've learned so we know where we are and where we can cut from and to. |
| (0, 2) 390 | We may get a clean one but that's doubtful. |
| (0, 2) 391 | Bethan will call out the numbers. |
| (0, 2) 400 | No one wants to hear that. |
| (0, 2) 401 | Ready? |
| (0, 2) 411 | And again. |
| (0, 2) 412 | We'll give you the light. |
| (0, 2) 422 | And again. |
| (0, 2) 423 | We'll give you the light. |
| (0, 2) 432 | Can I hear them individually? |
| (0, 2) 433 | Ivor? |
| (0, 2) 435 | You? |
| (0, 2) 437 | You? |
| (0, 2) 439 | Gwenith? |
| (0, 2) 441 | There it is. |
| (0, 2) 442 | Again. |
| (0, 2) 446 | Again. |
| (0, 2) 449 | Again. |
| (0, 2) 452 | Again. |
| (0, 2) 458 | Good. |
| (0, 2) 459 | Remember what I said. |
| (0, 2) 461 | Nosey, nosey. |
| (0, 2) 464 | Don't ask. |
| (0, 2) 466 | We'll give you the light. |