| (0, 1) 1 | Scene 1 |
| (0, 1) 2 | ~ |
| (0, 1) 3 | The space is made up of half recording suite and half studio. |
| (0, 1) 4 | Alison's desk and office swivel chair is situated on the front of the auditorium seats. |
| (0, 1) 5 | There is a mic on the desk for her to communicate with the actors' in the studio and above the 'viewing window' are three monitors: one shows a live digital clock (08.55 at start of show) with a background picture, one shows multi track recording software, and the other has a presentation slide welcoming the interns with some general studio etiquette. |
| (0, 1) 6 | ~ |
| (0, 1) 7 | 'Diablo Rojo' by Rodrigo Y Gabriela plays. |
| (0, 1) 8 | ~ |
| (0, 1) 9 | Bethan, the Sound Manager, can't help herself dancing by her desk, getting carried away and turning it up. |
| (0, 1) 10 | Fabian is in a glass container in the studio. |
| (0, 1) 11 | ~ |
| (0, 1) 12 | As the audience (interns) are guided into Alison's recording suite, Gwenith, who is in a wheelchair, asks for some assistance to help her get into the studio with her double bass. |
| (0, 1) 13 | Her wheelchair does not fit through the studio door, however, so the selected audience members must hold her up while the wheelchair is folded and reassembled inside, then she is assisted carefully back into the chair. |
| (0, 1) 14 | She then gets them to help her unpack and place the double bass in a central position. |
| (0, 1) 15 | As this is happening Alison enters and closes the adjoining studio entrance door, after telling Gwenith's helpers to find their seats. |
| (0, 1) 16 | She positions herself in front of her desk in the suite/auditorium. |
| (0, 1) 18 | She has a list of all the delegates on a clipboard. |
| (0, 1) 19 | She attempts to go through the list but the suite light goes off. |
| (0, 1) 30 | The recording suite light comes on. |
| (0, 1) 35 | The studio light goes off. |
| (0, 1) 40 | She gestures waving her arms. |
| (0, 1) 47 | Gwenith waves, the light comes on in the studio and goes off in the suite. |
| (0, 1) 50 | Light comes on in the suite, goes off in the studio. |
| (0, 1) 53 | Same again. |
| (0, 1) 56 | Same again. |
| (0, 1) 65 | Light comes on in studio, goes off in the suite. |
| (0, 1) 71 | Both lights are on. |
| (0, 1) 84 | Gwenith stops waving. |
| (0, 1) 85 | Alison turns to the interns. |
| (0, 1) 110 | She looks over her list of interns |
| (0, 1) 115 | She goes through her list of delegates. |
| (0, 1) 116 | There are photos attached so she can identify them, marking them on how they look and criticising their choice of clothing, hairdo etc. |
| (0, 1) 118 | In the meantime Gwenith is trying to get into one of the studio chairs, stealing her thunder. |
| (0, 1) 153 | They watch as Gwenith struggles to take her shoes off. |
| (0, 1) 154 | She eventually manages then gets herself settled back in the chair. |
| (0, 1) 159 | They watch again. |
| (0, 1) 160 | Gwenith looks exhausted. |
| (0, 1) 185 | She winks at Gwenith but her eye stays closed as her newly applied mascara sticks together. |
| (0, 2) 201 | Scene 2 |
| (0, 2) 202 | ~ |
| (0, 2) 203 | Ivor rushes into the studio, instantly takes off his shoes. |
| (0, 2) 216 | Takes off his socks |
| (0, 2) 226 | He backs up and bumps into one of the interns as if they pinched his bum. |
| (0, 2) 227 | Ivor introduces himself to the interns inside the studio who assisted Gwenith, assuming they are actors brought in for the day. |
| (0, 2) 228 | He waves to the others in the suite. |
| (0, 2) 300 | Fabian shrugs. |
| (0, 2) 331 | Ivor lifts his top to show a slender tone belt. |
| (0, 2) 344 | Alison looks at her recording running order. |
| (0, 2) 359 | They all make their way over. |
| (0, 2) 360 | Gwenith wheels herself in the very centre of the mic, indicating that she needs plenty of space for the chair and at the same time taking prize audio position. |
| (0, 2) 361 | Ivor runs through briefly with the interns what they need to do. |
| (0, 2) 392 | As Alison is explaining the task as vaguely as possible, Ivor takes the opportunity to run through his new ideas to the interns inside the studio and Gwenith as they wait for the light. |
| (0, 2) 393 | ~ |
| (0, 2) 394 | Alison zones into the conversation. |
| (0, 2) 399 | Alison gesticulates vomiting. |
| (0, 2) 403 | Bethan waits with her stop-watch. |
| (0, 2) 404 | This is done in every take. |
| (0, 2) 405 | ~ |
| (0, 2) 406 | Recording light. |
| (0, 2) 407 | ~ |
| (0, 2) 408 | The interns in the studio, Ivor and Gwenith makes oyster sounds. |
| (0, 2) 409 | ~ |
| (0, 2) 410 | Recording light off. |
| (0, 2) 414 | Recording light on. |
| (0, 2) 415 | Stop-watch. |
| (0, 2) 416 | ~ |
| (0, 2) 417 | Oyster sounds. |
| (0, 2) 418 | ~ |
| (0, 2) 419 | Recording light off. |
| (0, 2) 420 | ~ |
| (0, 2) 421 | She glares into the studio. |
| (0, 2) 425 | Recording light on. |
| (0, 2) 426 | Stop-watch. |
| (0, 2) 427 | ~ |
| (0, 2) 428 | Oyster sounds. |
| (0, 2) 429 | ~ |
| (0, 2) 430 | Recording light off. |
| (0, 2) 434 | Ivor makes his sound. |
| (0, 2) 436 | Intern makes a sound. |
| (0, 2) 438 | Intern makes a sound. |
| (0, 2) 440 | Gwenith makes her sound. |
| (0, 2) 443 | Gwenith makes the same sound. |
| (0, 2) 444 | ~ |
| (0, 2) 445 | Alison goes into the studio. |
| (0, 2) 447 | Gwenith makes her sound. |
| (0, 2) 448 | Alison hits her on the head. |
| (0, 2) 450 | Gwenith makes her sound. |
| (0, 2) 451 | Alison hits her on the head. |
| (0, 2) 453 | Gwenith makes her sound. |
| (0, 2) 454 | Alison hits her on the head. |
| (0, 2) 455 | This continues until Gwenith changes her sound. |
| (0, 2) 456 | Alison stares at Fabian. |
| (0, 2) 462 | She makes her way back to the suite, using a fob to get her out. |
| (0, 2) 468 | Recording light on. |
| (0, 2) 469 | Stop-watch |
| (0, 2) 470 | ~ |
| (0, 2) 471 | Group sound. |